In the past I have always struggled to capture decent quality in-car footage when at a trackday. Having spent ages watching countless videos on
YouTube I finally decided on the two main things that make a good video. Firstly the camera must be positioned in
the correct place. Typically between the front seats facing out of the front
windscreen. It must be located far enough back to capture the driver inputs and
far enough forward so you can clearly see the road ahead - and the car you are
just about to overtake! Secondly the sound has to be awesome and
capture that all important exhaust note you have no doubt spent hundreds or
thousands trying to achieve.
Vid just taken with a sony digi-cam before I got the GoPro
The Lotus Elise lends itself perfectly towards capturing this in-car footage. Just mount the GoPro on a suction cup mounted to the rear screen, take the roof off and the quality of the video and sound is naturally pretty impressive. This video was taken using Sony digi-cam on a suction mount before I had the GoPro.
Vid just taken with a sony digi-cam before I got the GoPro
The Lotus Elise lends itself perfectly towards capturing this in-car footage. Just mount the GoPro on a suction cup mounted to the rear screen, take the roof off and the quality of the video and sound is naturally pretty impressive. This video was taken using Sony digi-cam on a suction mount before I had the GoPro.
Capturing footage that is equally as impressive in saloon cars,
hot-hatches or four seat coupes is a bit more challenging. For example, I own a
two door Subaru Impreza WRX STI 22B where the rear window is located about a
meter behind the front seats. You can
just hang a GoPro upside down on a suction mount on the rear screen, turn on
upside-down mode on the GoPro and hit record. However, being so far back the
GoPro captures a lot of the interior which is quite dark. It therefore
automatically over exposes the footage resulting in the road ahead being very
light and lacking in quality, detail and richness. This can be adjusted in the camera settings by switching on 'spot mode'. By then playing
about with the image settings when editing the video in the GoPro cineform
studio software, it is likely that the footage can be improved. But ideally the camera needs to be located a lot further
forward so that it captures less of the dark interior. In order to do this I have made a list of the following GoPro
accessories you will need to buy:
1 x Lightweight aluminium tube approx 1.5m long
1 x 2m long 3.5mm extension cable
This photo shows the 'fluffy' microphone windshield to further minimise road and wind noise |
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